Visual Content for What’s Next

Madrid Office
Calle Velarde, 22-4D
28004 Spain

Lanzarote Office
Calle La Mareta, 18
35560 Spain

Madrid Office
Calle Velarde, 22-4D
28004 Spain

Lanzarote Office
Calle La Mareta, 18
35560 Spain

The Band is Back Scalpers

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For The Band is Back, we worked with PyD on a campaign for Scalpers. The starting point was The Beatles’ rooftop concert in London, specifically their performance of Don’t Let Me Down.

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We spent considerable time scouting Madrid for the right location: a rooftop high above the city, with an industrial feel and enough space to accommodate the shoot.

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The camera approach leaned into an analogue look, using vintage lenses and optical distortion to create an ’80s–’90s feel. The aim was a raw, textured image that suited the live performance setup.

THE BAND IS BACK_CARRUSEL CASA BRUMA4-web


Logistics were one of the main challenges. Camera and lighting equipment, instruments and props had to be brought up to the rooftop overnight, with everything rigged and ready to shoot in the early morning light. This meant carefully coordinating access, load-in and crew schedules.

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The production covered a campaign film, ten social reels and campaign photography. We planned the shoot around the different deliverables, coordinating the motion and stills teams throughout the day.

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We also supported Scalpers’ in-house teams with product still lifes and additional social content, making the most of the location and production setup.

THE BAND IS BACK_CARRUSEL CASA BRUMA10-web

For The Band is Back, we worked with PyD on a campaign for Scalpers. The starting point was The Beatles’ rooftop concert in London, specifically their performance of Don’t Let Me Down.

THE BAND IS BACK_CARRUSEL CASA BRUMA-web


We spent considerable time scouting Madrid for the right location: a rooftop high above the city, with an industrial feel and enough space to accommodate the shoot.

THE BAND IS BACK_CARRUSEL CASA BRUMA7-web


The camera approach leaned into an analogue look, using vintage lenses and optical distortion to create an ’80s–’90s feel. The aim was a raw, textured image that suited the live performance setup.

THE BAND IS BACK_CARRUSEL CASA BRUMA4-web


Logistics were one of the main challenges. Camera and lighting equipment, instruments and props had to be brought up to the rooftop overnight, with everything rigged and ready to shoot in the early morning light. This meant carefully coordinating access, load-in and crew schedules.

THE BAND IS BACK_CARRUSEL CASA BRUMA6-web


The production covered a campaign film, ten social reels and campaign photography. We planned the shoot around the different deliverables, coordinating the motion and stills teams throughout the day.

THE BAND IS BACK_CARRUSEL CASA BRUMA9-web


We also supported Scalpers’ in-house teams with product still lifes and additional social content, making the most of the location and production setup.

THE BAND IS BACK_CARRUSEL CASA BRUMA10-web